Showing posts with label sea trivandrum. Show all posts
Showing posts with label sea trivandrum. Show all posts

Thursday, 26 January 2012

What makes a good sound engineer ?


Here are just some aspects that I've come across the few years that I've been in the business.
Sound engineering is basically service provided to the customer. You offer your expertise for a certain amount of money and be some kind of transparent medium between the artist and the sound on tape. You have to have your own ideas which to present to the customer when needed, but follow THEIR ideas and think of the best way to record them.



What makes a good sound engineer ?  

* Good ears
* Reliability is everything
* Good understanding of electric equipment in general and especially sound recording equipment
* Ability to make field repairs, if possible
* Very good knowledge of how to interact with HUMANS
   - The movie-making species.
* Patient mind and will to always try something new
* Good self-discipline to keep gear in good shape

At Sound Engineering Academy we train our students to develop a career nurture their talents to become a creative and dedicated person in the field of Audio Engineering. The job of a Sound Engineer requires updated technical knowledge in the latest sound related equipment and a good discipline to keep gear in good shape. With the year long training in Sound Engineering Academy we impart those much needed skills to excel in the world of digital media.

Visit our website www.seaindia.in for more details about the academy and the courses offered by the insitution. Get trained for the most amazing yet a much demanding career opportunity for the most prestigious name in Sound Engineering Training in India. We are ISO as well as IGNOU certified.

Wednesday, 11 January 2012

Project On "Audio For Film" by Sound Engineering Academy Students

SEA's February 2011 batch students start the production of  Project On "Audio For Film". The Short Film named "Broken strings" is a campus based subject. The Entire production & post-production will be handled by the students with SEA's funding. Its will be an one month project and the production is to be completed by 5 days. Audio post for film is their subject related area and the project assessment will be based on Dubbing, Sound Effects, Re-recording & Final Mixing.

We wish you all the very best for its successful completion.

 

 


Monday, 19 December 2011

Project Oriented Exam On Live Sound Reinforcement At SEA

Students of SEA February 2011 batch went through a challenging project on live sound reinforcement. The total batch was divided into six sub groups. With in a time frame of Just 50mins, each sub group did the Sound Installation, Sound Check & System Calibration, Programme Execution & Uninstallation. All the equipments used were new to the students as we will not use any in house equipments for projects. This is to identify our students capability to cope up with new pro-audio equipment's. The five piece band who had the performance really rocked the campus. Great Experience and our students once again proved their professional competency.

Images of students going through a live sound reinforcement project.

  

 


Wednesday, 14 December 2011

World's Most Expensive Speaker System


SHAPE AUDIO'S  Organic Harmony In Gold
Price For A Pair - $6,950,000 (Rs36,14,00,000 - Thirty Six Crore Fourteen Lakh Indian Rupee)
This Breathtaking Piece is the World's largest Object of its kind . made of Solid 18 Caret Gold.

Audio Technology
The Organic Harmony Collection is a complete music system with cutting-edge, built-in D class amplifiers. Superior sound quality by Digital Signal processing (DSP) & 5-way active system.



Tuesday, 13 December 2011

Latest invention In Sound : Flat Flexible Speakers that Produce a Clear Sound


 A loudspeaker, which is less than 0.25mm thick, is the latest invention in technologypresented by engineers from University of Warwick. The device is flexible and can be easily hung up a wall in an apartment or, due to its specific technique of producing sound, it can be used as a way of making clear public announcements in different places, such as, for example passenger terminals. Besides being extremely lightweight, this latest technological invention does not require huge investments. Slim and flexible, such speakers can be installed in ceiling tiles or inside vehicles.

Warwick Audio Technologies, is a spin-out company that says its device generates planar directional sound waves in public places. These waves project further than sound produced by usual speakers. Engineers dubbed their latest invention Flat, Flexible Loudspeaker (FFL). According to the company's CEO, Steve Couchman, the revolutionary speaker could completely replace the conventional speakers that are nowadays used in homes, cars and public places such as passenger terminals and shopping centers.

"Audio visual companies are investigating its use as point of sale posters for smart audio messaging and car manufacturers are particularly interested in it for its light weight and thinness," he said.
The flexible speaker works by transforming an electric signal into sound. In conventional speakers the signal is used to produce a varying magnetic field that vibrates a mechanical cone, thus making the sound. However, the technology behind the flexible speaker connects thin, conducting and insulating, materials that create a flexible laminate. When an electrical signal excites the laminate, it vibrates, so generating sound.

Friday, 9 December 2011

TIMELINE -- DEVELOPMENT OF FILM AND SOUND ON FILM


1870s -- Eadweard Muybridge -- Movement of a horse stop action photography on glass plates. Done with multiple cameras designed so that a horse's foot would trip each shutter.

1882 -- Frenchman Etienne-Jules Marey designed a camera to record 12 separate images on a single strip of film. In 1888 he designed the first flexible film.

1889 -- Eastman Kodak introduces celluoid flexible film base

1888 -- Thomas Alva Edison meets with Edweard Muybidge and purchases 90 of his plates to begin experimenting with moving pictures. His intention was to couple live action with the sound produced by his phonograph.

Late 1880s -- Edison commissions William Kennedy Laurie Dickson to build a film camera. Dickson develops the Kinetograph which coupled recorded images with phonographic sound. The final result in 1892, the peep show penny arcades which were first installed in 1894.
William Kennedy Laurie Dickson conducted many experiments with the Kinetograph. One of the earliest surviving experiments is his film of co-worker Fred Ott's "Sneeze":
         
1895 -- Louis and Auguste Lumiere present the first film projector -- the Cinematographe.

1896 -- Edison produces a film projector developed by Thomas Armat and C. Francis Jenkins and exploited by vaudeville peep show promoters Norman C. Raff and Frank R. Gammon. This projector was called the Vitascope.

April 1896 -- First public movie theatre -- the Theatre Robert Houdin -- operated by magician and photographer Georges Melies in Paris using a modified British projector developed initially by Robert William Paul. Meleis became known for developing the world's first "trick" photography with cut edits and disolves. 1902 he produced Jules Verne's A Trip To The Moon 14 minutes long and three times the length of any previous film. This also demonstrated Melies genius for editing with 30 separate scenes.

1902 -- 1926 : The era of the silent film while inventors including Edison sought to link sound mechanically with moving film images.
1904 -- Frenchman Eugene Lauste records sound onto a piece of photographic film

1907 -- 1913 various fim and sound inventions included the Vivaphone, Synchroscope, the Chronophone, the Cameraphone and the Cinephone. Edison produced the Kinetophone in 1913 -- a "Rube Goldberg" device of belts and pulleys and received boos for his efforts at Keith's Union Square theatre in New York City.

19teens -- Western Electric develops along with Lee DeForest (1906 Audion) a method or recording and reproducing sound electronically on disc. Western Electric Buought the rights to the use of the Audio for amplifying the phonographic sound.

1921 -- DeForest improves the method of recording sound on film and patents a new invention he calls the phonofilm.

September 1925 -- Warner Bros. contracts with the AT&T method of sound with film and releases its first sound with film pictures in 1926 using a system dubbed theVitaphone. Don Juan, released in 1926 was the first film to inlcude music on an amplified sound- track.

October 1927 -- The Jazz Singer featuring Al Jolson is released by Warner Bros. Not an immediate hit in New York, but it gained long-lasting fame when it moved into America's heartland. It was rebooked in 1928 in New York and grossed $100,000 a week.

May 1927 -- Fox Film Corporation works with a new AT&T development -- sound on film. Fox uses this system to produce newsreels which would play prior to feature films at theatres.The first big publicity coups was the flight of Charles Lindbergh across the Atlantic. Also memorable was the capturing of the explosion of the Hindenburg. These newsreel shorts became known as the Movietone News.

May 1928 -- the major film companies (Paramount, Loews/MGM, First National and United Artists) sign with AT&T to produce pictures with sound on film despite the introduction of a competing format developed by RCA.

End of 1920s -- only a few theatres in America's largest cities continued to maintain a house orchestra and organist.

September 1928 -- Warner Bros. releases The Singing Fool -- again starring Al Jolson. Tickets for the first night were $11.00. "Sonny Boy" and "There's a Rainbow 'Round My Shoulder" from the film became the first million selling record of the "talkie" era. The Singing Fool cost $200,000 to produce but drew an unprecedented $5,000,000.

Tuesday, 6 December 2011

Group Violin recording conducted in Sound Engineering Academy, Campus

It was unforgettable yet fascinating event for the Sound Engineering Academy in Trivandrum which showcased the great composition of legendary violinist Chidambaranath. The event was a thrilling occasion for all the music lovers, students and officials of Sound Engineering Academy

In the live recording of this violin play about 15 violinists joined the recording. The Senior Violinist Mr Chithambaram does the orchestration & Conduction. Recording take place at SEA – Studio. Yamaha 02R Digital  Audio Console was used and ProTools 8.4 Was used as Digital Audio Workstation. Condenser microphones of AKG, Shure & Audio-Technica  were used.

The microphone placement was challenging. All the calibrations were done properly and executed a successful Recording. The Recorded Tracks Sounds Amazing. The percussion & Vocal Sessions to be completed.

Find images of this rare and unique event below

 

 

Sunday, 4 December 2011

Learn To Listen The Music


Usually the music is played while we clean the house or wash clothes. It is in the background, but we do not actually listen to it. To really enjoy 'good' music of any genre we must really listen to it. Sit down, have a cup of coffee or a drink of choice, and listen. You will be amazed at how enjoyable this can be.

Listen to music that might be new to you, or that you wished you could understand. Try a light opera, or perhaps an instrumental music. Do not think of anything else. This is a time to listen, enjoy and relax. You are going to try to develop a mental map of the music.

Understand that in musical composition, there are three main technical ideas:
-o- Repetition
-o- Variation
-o- New Melodies

Listen, and try to notice whether what you are hearing is the same as what you have previously heard in the same piece. Identify the elements:

Learn that the introduction, or beginning of a piece is always new. There is very often also something new very near the end. Locate passages that you find especially rewarding. Are these passages repetitions, variations, or new? If they are variations, can you realize what it was that was varied?5

Listen once more to the same passage. This time, pay attention to what brings the music to these passages. Listen to as many details as you can.
-o- Colors
-o- Balances
-o- Textures of the different sounds of which music is composed.

Try to isolate specific details:
-o- Rhythms, whether in the foreground or background, that seem to interact
-o- Short melodic figures, either in the principal melody
 -o- Accompaniment.


Listen again, narrowing your focus: listen only to the bass, if there is one. Notice things in the bass that seem alive, pregnant with meaning. Notice all the details you previously noticed by switching your attention from one to the other.

Develop your mental map of the characters, actors and energies that combine to create music. If these steps are correctly followed, the result will be a panoramic expansion of your musical experience, which may be likened to listening in color.